There in London lives one outstanding guy with a creative sole – Radovan Skasasha. It is exactly he who is behind such projects like Secondo and AM/PM.
His approach to music is very interesting. Let’s have a look at AM/PM. When you are listening to his album The Ends it seems to you are dealing with one single unity. But things are like they appear. All the tracks are collaged exclusively from veiled codes (the endings of the musical pieces). What is the salt of the whole thing is that it is important not to make the used hit recognizable, but to make all the codes flow gently from one into another to for a sequence of very smooth subsiding. In the final end you get the incredible feeling of constantly ending music.
The case with Secondo is a little bit different. The music is much more vivid and energetic, and the concept of it is serious. Unlike AM/PM, Secondo is composed from hundreds of micro fragments taken from one song but combined in such a way that disables you to get the original. Every segment of Secondo lasts for a millisecond. Afterwards all the segments are mixed into one decent and rather comprehensible unit.
You see, people have a clue when they say that a poor musician is impeded by sounds.
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